Thursday 10:3012 Noon
54 ACA Room 307
CEMETERIES & GRAVEMARKERS
Chair: Laurel K. Gabel, 205 Fishers Rd., Pittsford, NY 14534.
The Cult of Personality in Hungarian Cemetery Gravemarkers. Joyce
Corbett, ETC/SD, Ethnic Textile Council of San Diego, PO Box 34502, San Diego,
CA 92103.
Greeks Abroad. Cornelia Paraskevas, Western Oregon U, 345 N. Mon-mouth
Ave., Monmouth, OR 97361.
Reflections of Feng-Shui in Korean Cemetery Location and Morphology.
Thomas J. Hannon, Geography & Environmental Studies, Slippery Rock U, Slippery
Rock, PA 16057.
Burial Practices in Argentina. Thomas E. Graves, 100 Pollack Dr.,
Orwigsburg, PA 17961.
55 PCA Room 308
BUSINESS/CORPORATE CULTURE: Inside Americas Corpora-tions
Chair: TBA
Datapoint and the Lost ARC. Stephen A. Crandall, David N. Myers
College, 112 Prospect Ave., Cleveland, OH 44115.
The Iacocca Myth: Perspectives on the 1980 Chrysler Bailout. Ella
Howard, American & New England Studies, Boston U, Boston, MA.
Satanic Symbols: Corporate Wars, Religion, and Free Speech. Marc
R. Sykes, History, Van Dyck Hall, Rutgers U, New Brunswick, NJ 08901.
Inside the Home Depot: Customer Service in an Entrepreneurial Culture.
Lawrence W. Hugenberg, Comm. & Theater, Youngstown State U, Youngstown,
OH 44555.
56 PCA Room 309
SPORTS: Baseball
Chair: Bruce Rubenstein, History, U of Michigan, Flint, MI 48502.
The Place of the Year the Yankees Lost the Pennant in Modern Baseball
Fiction. Allen Hye, Modern Lang., Wright State U, Dayton, OH 45435.
Baseball as Reflection of the Changing Times in Japan. Roy Hana-shiro,
History, U of Michigan, Flint, MI 48502.
Connies Sunny Series: The 1929 Philadelphia AthleticsChicago
Cubs World Series. Bruce A. Rubenstein.
57 PCA Room 310
DIME NOVELS
Chair: J. Randolph Cox, St. Olaf College/Editor of the Dime Novel Round-Up.
American Imperialism, Technology, and the Representation of Speech in
the Dime Novel during the McKinley-Roosevelt Era. Michael Carroll, English,
Highlands U, Las Vegas, NM 87701.
Adventures in the Foreign Service: Harrie Irving Hancocks Dime Novels
about China. J. Randolph Cox.
How Frank A. Munsev Evolved the Dime Novel Golden Argosv into the First
Pulp Magazine Argosv. Al Tonik, Electrical & Computers, Drexel U,
Philadelphia, PA 19104.
The Doc Savage series as a Gauge of 1930s and 1940s America. Ron
Capshaw.
58 PCA Room 401
TWO-YEAR COLLEGES: Innovative Teaching Methods
Chair: Lynn Bartholome, English/Philosophy, Monroe Comm. College, Rochester,
NY 14623.
Creative Learning Activities for Farmers, Fathers, and Factory Workers:
Teaching Literature at the Two-Year College. Nancy L. Chick, U of WisconsinBarron
County, Rice Lake, WI 54868.
Performance Art in the Classroom: A New Approach to Teaching! Rosemary
Gallick, Art History/Speech, Northern Virginia Comm. College, Woodbridge, VA
22191.
59 PCA Room 402
HEALTH & DISEASE: Discourses Connecting Society & the Body
Chair: Stephen Dougherty, Elizabethtown Comm. College, Elizabeth-town, KY 42701.
Technology Discourses in Cyberpunk Fiction: DNA and Computers. Katharine
Charlton, English, Queens U, Kingston, ON Canada K7L 3N6.
The Immune System Body and Global Capitalism. Susan M. Yadlon, English,
Ohio State U, Columbus, OH 43210.
Popular Science and the Viral Metaphor of Language. Stephen Dougherty.
60 PCA Room 403
POPULAR CULTURE, RHETORIC, & COMPOSITION: Pedagogy
Chair: Christopher L. Schroeder, 22 Firwood Rd./First Floor, Port Washington,
NY 11050.
The Summer of My Purple Hair: Urban Cultures In and Out of a Philadelphia
Classroom. Susan Bernstein, 246 W. Upsal St. #G303, Philadelphia, PA 19119.
Inheriting a Popular Culture of Mourning. Beth Jacobs, 1604 S. Walnut
Ave. Unit One, Des Plaines, IL 60016.
No Longer Alien: Using Advertising to Teach Academic Discourse.
Christopher L. Schroeder.
61 PCA Room 404
PROTEST ISSUES & ACTIONS
Chair: Lotte Larsen, Hamersly Library, Western Oregon U, Monmouth, OR 97361.
Remembering Mobilization and Opposition: Collective Memory and the Flint
Sit Down Strike of 1936. Derwin Munroe, Political Science, U of Michigan,
Flint, MI 48502.
Monkey Business in Union Square: Competing Dramas during the Kleins-Ohrbachs
Strikes of 1934-35. Daniel Opler, 4848 Broadway, #1D, New York, NY 10034.
The Block Island Womans Christian Temperance Union Quilt of 1931:
A Cultural Analysis. Sarah Rose Dangelas, American Studies, U of Maryland,
College Park, MD 20904.
Resisting Americanization: The Destruction of Marshall Plan Exhibits in
France, 1948-1952. Brian A. McKenzie, Research & Learning Comm., SUNY,
Stony Brook, NY 11794.
62 PCA Room 405
WORLD WAR II: Stories & Song
Chair: Kathleen Smith, Social Sciences, Northwestern State U of Louisiana, Natchitoches,
LA.
The Atrocious Privilege of Remarque, Levi, and OBrien:
Obstacles to Bearing Witness in Narratives of War and Atrocity. Christine
Daley, Grad. School, City U of New York.
Telling War Stories: War Reenactors and the Uses of Wars Legacy.
Jenny Thompson, American Studies, U of Maryland, College Park, MD.
The Vietnamization of World War II in Slaughterhouse-Five. Christina
Jarvis, English, SUNY, Fredonia, NY 14063.
Theres a Star-Spangled Banner Waving Somewhere: Country
Music Goes to World War II. Kathleen Smith.
63 PCA Room 406
MADNESS IN LITERATURE
Chair: Branimir M. Rieger, Humanities, Lander U, Greenwood, SC 29649.
The Mad Scientist, or the Paradox of Science, Art and Literature.
Antonia Lima, Lit. & Ling., U of Evora, Portugal.
The Evil Genius. Barry Morris, Comm. Study, Pace U, New York, NY
10038.
A Pebble of Efficiency: Madness and Productivity in The Bell
Jar. Mercy Cannon, English, U of Tennessee, Knoxville, TN.
Technology as Illness or Illness as Technology? Murder in Haupt-manns
Gatekeeper Thief. Robert P. Bareikis, International Studies,
Centenary College, Shreveport, LA 71104.
64 PCA Room 407
AUTOBIOGRAPHY & BIOGRAPHY: Examining the Self
Chair: Cherie Ann Turpin, English, U of Connecticut, Storrs, CT 06269.
Art in the Absence of Self: Bio of Andy Warhol. Sarah A. Samson,
Georgetown Public Library, Georgetown, TX 78626.
A Look at Women Depressives through the Journals of Sylvia Plath.
Kimberly D. Parsley, English, Texas A&M U, College Station, TX 77843.
The Paradox of Alienation and Privilege as an Actor in Gabriel Byrnes
Autobiographical Works. Cherie Ann Turpin.
65 PCA Room 408
LESBIAN & GAY: Queer Sexualities on TV & in Film & Lit.
Chair: Scot Guenter, American Studies, San Jose State U, San Jose, CA 95192.
Narrative, Deception, and Transgender Identity on Jerry Springer.
Stephen Hocker, Comm., U of Pennsylvania, Philadelphia, PA 19103.
Representations of Homosexuals in Mainstream Contemporary Film.
Dan Keller, Southern Illinois U, Edwardsville, IL 62026.
Domesticating Desire: Redemption through Mediocrity or a Becoming Queer
Aesthetic. Mary Conway, English, Temple U, Philadelphia, PA.
Gay Stereotyping and the Accelerating Significance of Reality TV.
Scot Guenter.
66 PCA Room 409
ADVERTISING: International
Chair: Robert M. MacGregor, Bishops U, Williams School of Business &
Economics, Lennoxville, PQ Canada JIM 1Z7.
The Presentation of Scottish National and Regional Identity in Biscuit
Manufacturers Christmas Catalogues: The Case of Shortbread. Heather
Holmes, Napier U, Edinburgh, Scotland.
Confusing Exotica: Producing India in Advertising. Sanjukta Ghosh,
Comm., Castleton State College, Castleton, VT 05735.
Drawn to Sell: Cartoons in German and American Advertisements. Thomas
Knieper, Comm. & Media Studies, U of Leipzig, 04109 Leip-zig, Germany; and
Birgit Wassmuth, Advertising, Drake U, Des Moines, IA 50311.
The Gay Gordon: No Perfumed, Pampered, Jewel Lordy This Celebrity Endorser.
Robert M. MacGregor.
67 PCA Room 410
WESTERN FICTION: Wister, Allende & McCarthy
Chair: John Donahue, Classics Modern Lang. & Ling., Concordia U, Montreal
PA H4G 1M8 Canada.
A Foreign Land Where Death Awaits: Allendes and McCarthys
View of the West. Mary Sheldon, English, Washburn U, Topeka, KS 66621.
Performing Race and Gender in Pauline Hopkins Winona
and Owen Wisters The Virginian. Michael K. Johnson,
Humanities, U of Maine, Farmington, ME 04938.
The West of Frederick Jackson Turner in Three American Plays. Don
Anderson, History, Marist College, Poughkeepsie, NY 12601.
Don Segundo, the Virginian and the Law. John Donahue.
68 PCA/ACA Room 411
RADIO: War of the Worlds, the Shadow, & 1930s Texas Radio
Chair: John Beatty, English, LaSalle U, Philadelphia, PA 19141.
The War of the Worlds: From Novel to Radio Drama. Virginia Pruitt,
English, Washburn U, Topeka, KS 66621.
The Shadow. David Haus, History, Bowling Green State U, Bowling
Green, OH 43403
How Murray, Kentucky, Almost Became The Birthplace of Radio.
Bob Lochte, Journalism & Mass Comm., Murray State U, Murray, KY 42071.69
PCA Room 412
HORROR: Cinema of the 1990s
Chair: David Tietge, Long Island U, 1 University Plaza, Brooklyn, NY 11201.
Whos Afraid of the Big Bad Witch? The Blair Witch Project as Seen
through a Feminist Lens. Pam Kincheloe, Rochester Inst. of Tech., Rochester,
NY 14607.
Off the Trail: The Blair Witch Project and the Postmodern Journey Narrative.
Brett Riley, English, Allen Hall, Louisiana State U, Baton Rouge, LA 70803.
The Gospel of Thomas: A Stigmatized Text. David Barnes, Integrative
Arts, Pennsylvania State UScranton, Dunmore, PA 18512.
Seeing the Dead for Idiots, or, Why Are Children Always the First to Know?
Skepticism in the Sixth Sense and a Stir of Echoes. David Tietge.
70 PCA Room 413
WOMENS LIVES & LIT.: Reconsidering Womens Work
Chair: Diane Prenatt, English & Comm., Marian College, Indianapolis, IN
46222.
Sweeping Change? Domestic and Gardening Writing of the 19th and 20th Centuries.
Lori Allen, Tech. Comm., Metropolitan State College of Denver, Denver, CO 80217.
A Womans Work Is Never Done, Except in Literature. Margaret
Baker, BYUH, Box 1904, Laie, HI 96762.
Sew On and Sew Forth: Subversive Iconography in Contemporary American
Quilting. Diane Prenatt.
71 PCA Room 414
MUSICALS
Chair: Richard M. Goldstein, Fine Arts, Michigan Tech. U, Houghton, MI 49931.
Philadelphia: The Tryout Town. Zelda Provenzano, Humanities,
Drexel U, Philadelphia, PA 19104.
Grand Broadway: The Opera-tization of Musical Theater. Ronald W.
Bukoff, Music, Centenary College of Louisiana, Shreveport, LA 71134.
Fosse Goes Italian: A Comparison of Sweet Charity and The Nights of Cabiria.
Samuel Goldstein, Comm. Arts, Daytona Beach Comm. College, Daytona Beach, FL
32120.72
PCA Room 415
CHILDRENS LIT. & CULTURE: Realistic Fiction
Chair: Joyce A. Litton, 64 Eden Pl., Athens, OH 45701.
The Captive Adoptee: A Quest for Identity. Kim Gainer, English,
Radford U, Radford, VA 24141.
Walk Two Moons through the Grieving Process. Sue Harris, 1430 Fix
Rd., Monroe, MI 48162.
From Katherine Patersons Novel Jacob Have I Loved, Laurie Bradshaw
as Whining Freminist. Nancy Hammond, 11375 Norborne, Redford, MI 48239.
Gaia Moore Is Fearless. Joyce A. Litton.
73 ACA Salon A
AMERICAN ART & ARCH.: Late 19th-Century & 20th-Century American Art
Chair: Jo-Ann Morgan, Art, Coastal Carolina U, Conway, SC 29526.
Serving Witness: How Uncle Tom Sustained Employment beyond the Gilded
Age. Jo-Ann Morgan.
Impotent Afffluence: Edward Penfield, Harpers Monthly, and Leisure
Class Masculinity. Jennifer Greenhill, Williams College, 2009 N. Oakland
St. #4, Arlington, VA 22207.
Secret America: Ekphrastic Responses to Edward Hoppers Night-hawks.
Stephen F. Criniti, Humanities, U of Dayton, Dayton, OH 45469.
74 PCA Salon B
MYSTERY & DETECTIVE: Can Detectives Learn to Play Nicely?
Chair: Paula M. Woods, English, Baylor U, Waco, TX 76798.
Not So Sure: Patterns of Relationships in the Liam Campbell Series.
Jennifer Viereck, English, Aiken Tech. College, Aiken, SC 29802.
Female Academic Detectives: Bridging the Border between Individualism
and Community. Katja Hawlitschka, Humanities, Wayne State College, Wayne,
NE 68787.
Sheriff Knows Best: The Paternalistic Montana Sheriff in Bowen, Watson,
and Harrison. Rachel Schaffer, English/Philosophy, MSU, Billings, MT 59101.
Nevada Barrs Community of Women. Paula M. Woods.
75 PCA Salon C
VIETNAM: Early Fictional Representations
Chair: Edward F. Palm, Lang. & Lit., Glenville State College, Glen-ville,
WV 26351.
Indochinese Women/European and American Men: Gender Colonialism in Early
English-Language Novels. Walter Jones, J. Willard Marriott Library, U
of Utah, Salt Lake City, UT 48112.
Graham Greenes The Quiet American: Cold War Liberalism and the Vietnam
Novel. Joseph McGeary, 121A Lebanon Circle, Durham, NC.
My Lunch with Lederer: The Ugly American Revisited. Edward Palm.
Two Views from 1965: Fictionalizations of Diem Regime by Morris West and
Tran Van Dinh. Michelle Janette, English, Kansas Sate U, Manhattan, KS
66506.
76 PCA Salon D
AFRICAN-AMERICAN CULTURE: Critiquing the U.S. Civil/ Human Rights Movements
Chair: W.F. Santiago-Valles, Inst. for the Study of Race & Ethnic Relations,
Western Michigan U, Kalamazoo, MI 49008.
The Politics of Place: Material Transformation and African American Identity
at the National Civil Rights Museum. Bernard J. Armada, Comm., U of St. Thomas,
St. Paul, MN 55105.
Black Monstrosity as a Permanent Solution to American Racism. J.
Rafiki Jenkins, Lit., U of CaliforniaSan Diego, La Jolla, CA 92093.
Fluid Bodies and the Limits of Race and Ethnicity in Popular Culture:
From Black Blondes to Black Asians. Jerry Persaud, 875-515
Kennedy Rd., Scarborough, Ontario, Canada M1K 2G1.
A Critical Evaluation of the Civil/Human Rights Movement in Canada.
Leander C. Jones, Black Americana Studies, Western Michi-gan U, Kalamazoo, MI
49008.
The Popular as Racialized Communication Practices of Self-Emancipation.
W.F. Santiago-Valles.
77 PCA Salon E
TELEVISION: Shaping Collective Memory in the Media Age
Chair: Peter Rollins, English & American/Film Studies, Oklahoma State U,
Stillwater, OK 74078.
Television as Historian: A Different Kind of History Altogether.
Gary Edgerton, Comm. & Theatre Arts, Old Domion U, Norfolk, VA 23529.
Profiles in Courage: Televisual History in the New Frontier. Daniel
Marcus, Comm. Wayne State U, Detroit, MI 48202.
Contested Public Memories: Hawaiian History as Hawaiian or American Experience.
Carolyn Anderson, Comm., U of Massachusetts, Amherst, MA 01003.
Victory at Sea: Cold War Epic. Peter Rollins.
please finish the session by 11:45 am. thank you.
78 PCA Salon F
FILM: Cinematic Adaptations
Chair: Natasha Whitton, English, Southeastern Louisiana U, SLU 10861, Hammond,
LA 70402.
Play On: Adapting Shakespeare for the MTV Generation. Ann Kneavel,
Goldey Beacom College, 4701 Limestone Rd., Wilmington, DE 19808.
Dickens on Film. Scott Alt, 49 Shady Dr. East, Newark, DE 19713.
In Country: An Examination of the Vietnam Conflict in Fact and Fiction.
Natasha Whitton.
Multiple Interactions between Literature and Film in The Sweet Hereafter.
Agnes A. Shields, Chestnut Hill College, 9601 Germantown Ave., Philadelphia,
PA 19118.
79 PCA Salon G
SF/F: The Modern & the Postmodern
Chair: Anca Rosu, Gen. Ed., DeVry Inst., North Brunswick, NJ 08902.
Apocalyptic Narrative and the Popular Imagination. David W. Bottorff,
English, Brandeis U, Waltham, MA 02454.
Ideological Apocalypse in H.P. Lovecrafts The Call of Cthulhu
and At the Mountains of Madness. Paul Brian McCoy, Lit. &
Criticism, Indiana U of Pennsylvania, Indiana, PA 15705.
The Great War and Tolkiens Memory: World War I themes in The Hobbit
and The Lord of the Rings. Janet Brennan Croft, Library, Martin Methodist
College, Pulaski, TN 38478.
Blade RunnerPostmodernism Revisited. Anca Rosu.
80 PCA Salon H
COMIC ART & COMICS: The X-Men on Film, on the Web, & in the Toy Store
Chair: Rebecca Sutherland Borah, Lang. Arts, U of Cincinnati University
College, Cincinnati, OH 45221.
Anger and Assimilation: Identity Politics, Queer Theory, and the X-Men.
Jonathan Alexander, Lang. Arts, U of CincinnatiUniversity College, Cincinnati,
OH 45221.
The Incredible Shrinking X-Women: Characterization in Media Exchange.
Julie Ratliff, Southern Illinois U, Carbondale, IL 62958.
Storms Hair Sucks!!!: Fan Culture and the Making of
X-Men: The Movie. Rebecca Sutherland Borah.
81ACA Salon I
LIT. & POLITICS: Images of African Americans in Popular Culture
Chair: Eve Davis, Lang. & Lit., Virginia State U, Petersburg, VA 23608.
Erasing the Old and Reconstructing the New: E. Lynn Harris Perfect
Black Male. Deborah Goodwyn, Lang. & Lit. Virginia State U, Petersburg,
VA 23608.
From the Invisible to the Invincible: Terry McMillans Super Woman.
Valena Randolph, English, Wilberforce U, Xenia, OH 45385.
Didnt We Almost Have It All: Incarceration, Solitude, and New Images.
Bertha Escoffery, English, Norfork State U, Norfork, VA 23504.
Stephen Kings Black Messiah Complex. Eve Davis.
82 PCA Salon J
MEMORY & REPRESENTATION
Chair: Arthur G. Neal, Sociology, Portland State U, Portland, OR.
Afterwards: Narrative Ghosts and the Belatedness of Understanding.
Jeffrey Andrew Weinstock, English, Wesleyan U, Middletown, CT 06457.
The Chosen One. Patricia Reynaud, French & Italian, Miami U,
Miami, OH 45056.
An Inquiry into Agrarian Memory. Walter F. Utroske, English &
Philosophy, Montana State U, Billings, MT 59101.
Memory and Representation: The 1973 Chilean Cup as Reflected through Selected
Examples in Literature and the Performing Arts. L. Terry Brusstar, Dramas,
U of Arkansas, Fayetteville, AR 72701.
83 ACA/PCA Salon K
Tribute to Agnes Nixon, Part 2: Three Fans Appreciations
Chair: David Feldman, New York, NY.
History and Agnes Nixon. Diane Calhoun-French, Academic
Affairs, Jerrerson Comm. CollegeSouthwest, Louisville, KY.
Story and Agnes Nixon. Carol Traynor Williams, Manset, Me.
Friendship and Agnes Nixon. David Feldman.
Agnes Nixon will be on hand to comment on the presentations and answer questions.
84 PCA Salon L
ELECTRONIC COMM.: Religion & the Digital Age
Chair: Samuel R. Smith, Center for Digital Culture.
Local Church Pastors Goals for Attitudes toward an Involvement with
Religious Cultures of the Internet. J.D. Keeler, Comm. & Arts, Regent
U, Virginia Beach, VA 23464.
Young People, Religious Identity and CMC: Where do we go from here?
Mia Lövheim and Alf Linderman, Sociology of Religion, Uppsala U, PO Box
1604, SE-751 46 Uppsala, Sweden.
Pierre Teilhard de Chardin and Jacques Ellul: Media Theory and Criticism
from Opposing Christian Theological Perspectives. Peter K. Fallon, Public
Comm., Molloy College, Rockville Centre, NY 11571.
85 PCA Room 501
BRITISH POPULAR CULTURE: Cinematic Perspectives of Thomas Hardy
Chair: Winona Howe, English, La Sierra U, Riverside, CA 92515.
Discussant: Philip Momberger, English & Foreign Lang., U of West Florida,
Pensacola, FL 32514.
Gazing at Tess: Gender and Class in Two Film Versions of Hardys
Novel. John Greenfield, English/Humanities, McKendree College, Lebanon,
IL 62254.
Identifying Bathsheba Everdene: Pastoral Heroine, Late Victorian New Woman,
and Swing Sixties Mod Girl. Robert R. Watson, English, Saginaw Valley
State U, Allendale, MI 49401.
Will the Real Sue Bridehead Please Stand up? Revisioning Hardys
Conflicted Heroine. Marilyn Button, Taylor U, 6761 Point Inverness Way,
Fort Wayne, IN 46804.
86 PCA Room 502
ARTHURIAN LEGEND
Chair: Kevin Harty, English, La Salle U, Philadelphia, PA 19141.
Iris Murdochs Arthurian Retelling: The Green Knight. Robert
K. Phillips, Humanities, Lander U, Greenwood, SC 29649.
Reconstructing Palomydes. Alan Lupack, The Robbins Library, U of
Rochester, Rochester, NY 14627.
Absent Presences: Race Issues in Erskine. Donald Hoffman, English,
Northeastern Illinois U, Bryn Mawr at St. Louis, Chicago, IL 60625.
Not What We Usually Mean by Arthurian Romance. Ann F. Howey, English,
3-5 Humanities Center, U of Alberta, Edmonton, AB T6G 2E5 Canada.