| 17.1
(1997) |
ISSN 1943-3840 |
| VOLUME XVII, NUMBER 2 | FALL 1997 |

Bulletin of the CERVANTES SOCIETY OF
AMERICA
THE CERVANTES SOCIETY OF
AMERICA
President
JOHN J. ALLEN (1997)
Vice President
CARROLL B. JOHNSON (1997)
Secretary-Treasurer
WILLIAM H. CLAMURRO (1997)
Executive Council |
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| FREDERICK A. DE ARMAS | MW STEVEN HUTCHINSON | ||
| HOWARD MANCING | NE DOMINICK FINELLO | ||
| GEORGE A. SHIPLEY, JR. | PC EMILIE BERGMANN | ||
| EDUARDO URBINA | SE ALISON P. WEBER | ||
| AMY R. WILLIAMSEN | SW JUDITH A. WHITENACK | ||
Cervantes: Bulletin of the Cervantes Society of America
Editor: MICHAEL MCGAHA
Book Review Editor: EDWARD H. FRIEDMAN
Bibliographer: EDUARDO URBINA
Editor's Advisory Council |
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| JUAN BAUTISTA AVALLE-ARCE | EDWARD C. RILEY | |
| JEAN CANAVAGGIO | ALBERTO SÁNCHEZ | |
Associate Editors |
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| JOHN J. ALLEN | FRANCISCO MÁRQUEZ VILLANUEVA | ||
| PETER DUNN | LUIS MURILLO | ||
| DANIEL EISENBERG | HELENA PERCAS DE PONSETI | ||
| ROBERT M. FLORES | GEOFFREY L. STAGG | ||
| EDWARD H. FRIEDMAN | ALISON P. WEBER | ||
| YVONNE JEHENSON | AMY R. WILLIAMSEN | ||
| CARROLL B. JOHNSON | DIANA DE ARMAS WILSON | ||
Cervantes, official organ of the Cervantes Society
of America, publishes scholarly articles in English and Spanish on Cervantes's
life and works, reviews and notes of interest to cervantistas. Twice
yearly. Subscription to Cervantes is a part of membership in the Cervantes
Society of America, which also publishes a Newsletter. $20.00 a year
for individuals, $40.00 for institutions, $30.00 for couples, and $10.00
for students. Membership is open to all persons interested in Cervantes.
For membership and subscription, send check in dollars to Professor
WILLIAM H. CLAMURRO, Secretary-Treasurer, The
Cervantes Society of America, Dept. of Modern Languages, Denison University,
Granville, Ohio 43023. Manuscripts should be sent in duplicate, together
with a self-addressed envelope and return postage, to Professor
MICHAEL MCGAHA, Editor,
Cervantes, Department of Romance Languages, Pomona College, Claremont,
California 91711-6333. The SOCIETY requires anonymous submissions,
therefore the author's name should not appear on the manuscript; instead,
a cover sheet with the author's name, address, and the title of the article
should accompany the article. References to the author's own work should
be couched in the third person. Books for review should be sent to Professor
EDWARD FRIEDMAN, Book Review Editor,
Cervantes, Dept. of Spanish and Portuguese, Ballantine Hall, Indiana
University, Bloomington, Indiana 47405.
Copyright © 1997 by the Cervantes Society of America.
| VOLUME XVII, NUMBER 2 TABLE OF CONTENTS |
ARTICLES
| Recovering the Hetairae: Prostitution in Don Quijote I | ||||
| CAROLYN A. NADEAU | 4 |
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| Enfocándose en las mujeres que buscan un matrimonio armonioso
Luscinda, Zoraida, y Dorotea este ensayo analiza la relación
entre las instituciones de la prostitución y el matrimonio; el valor
social de la castidad; y el discurso femenino público en la obra El
ingenioso hidalgo Don Quijote de la Mancha. Propongo una recuperación
de la figura hetaira, usando el concepto renacentista de la
imitación y aplicándola al prólogo de dicha obra, en
el cual el supuesto amigo sugiere que se cite a Antonio de Guevara en cuanto
al tratamiento de las mujeres rameras. El trabajo pone a la luz
la manera en que Guevara reescribe las características de esta figura
clásica tanto como el modo en que Cervantes las refigura en nuevos
contextos y con nuevos propósitos. |
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| Autorrepresentación en Cervantes y el sentido del Coloquio de los perros | ||||
| JULIO RODRÍGUEZ LUIS | 25 |
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| As its title indicates, this article deals with two aspects of
Cervantes's work. Its ultimate and probably unachieved goal is to link them.
The first part focuses on Cervantes's peculiar way of indirectly addressing
his reader with comments that underline his personal involvement with the
subject of the narrative. This manera de narrar has no equivalent
in 15th-, 16th-, or 17th-century Spanish literature, but reminds the critic
of Montaigne's autobiographical style. The second part of the article
concentrates on the double novella of Casamiento-Coloquio in order
to 1) discuss its position within Cervantes's art; 2) explore its
autobiographical content; and 3) explain the meaning of the
profecía about the dogs' origin. To this author, the oracle,
together with the last section of the Coloquio, articulates Cervantes's
final and very personal statement about man's fate and the role of storytelling
in it. The work of other critics who have written about the same subject
is discussed as my own arguments touch upon what they wrote. |
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| A quien se humilla . . .: ¿la homilía del Quijote? | ||||
| ROBERT L. HATHAWAY | 59 |
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| During that scene of rustic amity as knight and squire join the
goatherds for an evening meal, Don Quixote pulls Sancho to the ground to
eat with him in a spirit of companionship and equality, saying a
quien se humilla, Dios le ensalza. Citing Luke 14:11 at this
point seems rather an inappropriate, an inopportune biblical injunction:
why does it appear? Our thesis is that here Cervantes introduces a religious
theme which will appear from time to time in Part One, and increasingly so
in Part Two, culminating in Alonso Quijano's recognition that one must not
put one's soul in danger. Indeed, at various moments in the first Quijote
there may well be repetition of the lesson of humility; these pages address
the question of our title by examining such possible reappearances, and in
the process, reviewing the theme of religiosity in Cervantes's masterpiece. |
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| The Fortunes of Chivalry: António José da Silva's Vida do Grande D. Quixote de la Mancha e do Gordo Sancho Pança | ||||
| EDWARD H. FRIEDMAN | 80 |
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| En la Vida do Grande D. Quixote de la Mancha e do Gordo Sancho
Pança (1733), el malogrado António José da Silva
(o Judeu) crea una adaptación dramática del
Quijote en la que destaca el espectáculo y la música
sin sacrificar la visión satírica del original . Basada
principalmente en la segunda parte del Quijote cervantino, la Vida
llega a acentuar la audacia caballeresca de don Quijote y la creciente
agresividad de Sancho, marcadores de un movimiento emblemático que
sustituye el tema de la caballería por el de la justicia. En
términos generales, la Vida de Silva se conforma con la
recepción del Quijote en la España de principios del
siglo XVIII. El dramaturgo portugués reconoce el tono burlesco de
la novela, pero también dedica cierto espacio textual a los niveles
simbólicos de la historia. |
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| The Jewish Don Quixote | |||
| LEAH GARRETT | 94 | ||
| El licenciado Juan de Cervantes, abuelo de Miguel de Cervantes Saavedra | |||
| KRZYSZTOF SLIWA AND DANIEL EISENBERG | 106 | ||
| Cervantes's Parodic Rendering of a Traditional Topos: Locus Amoenus | |||
| ALFRED RODRIGUEZ AND JOEL F. DYKSTRA | 115 | ||
| El poder de la palabra y el dinero en La gitanilla | |||
| PILAR ALCALDE | 122 | ||
| Henry W. Sullivan. Grotesque Purgatory. A Study of Cervantes's Don Quixote. | |||
| (FRANCISCO J. SÁNCHEZ) | 133 | ||
| Edwin Williamson. Cervantes and the Modernists: The Question of Influence. | |||
| (ROBERT L. FIORE) | 135 | ||
| Joseph V. Ricapito. Cervantes's Novelas ejemplares: Between History and Creativity. | |||
| (ERIC J. KARTCHNER) | 137 | ||
| Stanislav Zimic. Las Novelas ejemplares de Cervantes. | |||
| (MINDY STIVERS BADIA) | 141 | ||
| Miguel de Cervantes. Eight Interludes. Trans. and ed. Dawn L. Smith. | |||
| (E. T. AYLWARD) | 143 | ||
| Julio Baena. El círculo y la flecha: principio y fin, triunfo y fracaso del Persiles. | |||
| (DAVID R. CASTILLO) | 145 | ||
| Reply to a Reply to a Reply | |||
| (PIERRE L. ULLMAN) | 149 | ||
| Libró y divi- en el poema octosílabo de cabo roto del donoso poeta entreverado: Primera Parte del Quijote | |||
| (R. M. FLORES) | 155 | ||
| Algunas palabras más sobre la conversación en el Quijote | |||
| (ALBERTO RODRÍGUEZ) | 166 | ||
|
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| 18.1
(1998) |
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| Fred Jehle jehle@ipfw.edu | Publications of the CSA | HCervantes |
| URL: http://www.h-net.org/~cervantes/csa/bcsaf97.htm | ||